Mona Lisa (1986) [Blu-ray]
Crime | Drama | Romance

An ex-convict, thug and a high-class call girl make for an unlikely and dangerous couple in Academy Award-winner Neil Jordan's (The Crying Game, Interview With The Vampire) tale of frustrated love on the cruel streets of London's underworld. Bob Hoskins (Hollywoodland, Who Framed Roger Rabbit) stars in his breakout performance, for which he landed an Oscar nomination and a host of other major awards as George, a working class hood whose growing obsession with the exotic and cunning Simone (Cathy Tyson, The Serpent And The Rainbow) will lead him down a dark and bloody path. The magnificent supporting cast includes Robbie Coltrane (the Harry Potter series), Sammi Davis (Hope and Glory) and two-time Academy Award-winner Michael Caine (The Dark Knight).

User Comment: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico, USA, 2 March 2003 • Bob Hoskins made two widely popular movies in the 1980s and this was one of them. Having seen the other, "The Long Good Friday," I wasn't expecting too much but was pleasantly surprised. Hoskins, just out of the slams, is hired to drive a high-end black hooker, Cathy Tyson, from one wealthy client to another. He grows to care for her and when she asks him for a favor, find a strung-out young girl named Kathy, a former roomie of hers, he agrees. He searches the seedier places of London until he finally digs her up. She very young and very hooked. Robbie Coltrane is Hoskins' friend, and Michael Caine is a sort of procurer. The ending is both distressing and violent -- distressing because some of these characters are fully fleshed and we feel we've come to know them.

The film is quite nicely done. The score makes much use of Nat "King" Cole's ballad, Mona Lisa, evoking mystery, and it's appropriate. The composer has worked what seem to be endless variations of the first four notes of the theme into the score. We hear it in the background often, in minor key, or played exclusively on double bass, or burnished by horns. Those four notes insinuate themselves into the incidental music so often that a listener loses the sense that they are the introduction to a pop song and they come to have an ominous functional autonomy, disembodied from the simple tune that prompted it. They become their own song.

The acting is fine. Bob Hoskins is an essentially moral guy, short and unprepossesing, who first shows up on screen wearing an echt-1970s bell-bottomed leisure suit (he's been in for seven years, remember) and carrying a bouqet of flowers that his wife, berserk with anger, tells him what to do with. His gradual attraction to his passenger is nicely laid out, as are the reasons for his occasional displays of violence. He's a sensitive guy, but not too thoughtful. A lot of things get by him. But, to be fair, they get by the viewer too.

There's an element of humor running through the film, mostly expressed in the relationship between Hoskins and Coltrane, who plays a writer and a sculptor of things made of plastic spaghetti. ("The Japanese have cornered the market.") The dialogue is pretty funny in a low-key way. Hoskins and Coltrane sit watching TV and Hoskins remarks something like, "Remember that guy who was murdered? Well, I did it." Coltrane: "You're not joking?" Hoskins [turning and staring grimly]: "I -- never -- joke." Coltrane: "You used to tell that one about the randy gorilla." And here is Hoskins describing his passenger, telling Coltrane that she's not out to exploit him, Hoskins, because "she's a lady." Coltrane: "A lady? I thought you said she was a tart." Hoskins: "Well -- she is, but she's a f****** lady too." And Cathy Tyson almost beggars description, tall, slender, lithe, not staggeringly beautiful or sexy, but her appeal extends far beyond mere appearance. She's gorgeous in the most personal way. She tends to keep her face down and her eyes lowered, almost demurely, and her voice is soft and low, just above a whisper, although you never have to strain to hear what she's saying because her pronunciation is modulated and precise. It's soothing, in control and at the same time reassuring, the voice of an announcer on a late-night FM station playing nothing but classical music. You could listen to her for hours. You could look at her for hours too, for that matter. Michael Caine doesn't have a big or showy part, but he's so reliable that he's always a pleasure to see on screen. I can't think of a single film that has been damaged by his presence, although he's been in a few bummers.

The photography is perceptive. We get a good deal of local color not only from the London locations but from "the seaside," where everything comes to a head. There isn't a lot of violence. What there is of it is quick and pointed.

See it if you get the chance.

Summary: Complex Mystery for Adults.

User Comment: *** This review may contain spoilers *** simon-118 from London, 25 March 2006 • I'm very fond of Mona Lisa. It's a story of innocence in a world dripping with sin, and Hoskins is perfection as the ex-con quite capable of dishing out a beating when he's up against it but childlike in his naivety to the horrors of child prostitution.

The two performances that really stand out for me though are Michael Caine and Clarke Peters who are both absolutely terrifying, Caine also very funny in places too.

The major problem with the film is that the plot is, frankly, rubbish! Why does Anderson spend years trying to find Simone when she's working for his colleague Caine as part of the same business? Why is Caine paying George to drive her around? If he is her pimp why doesn't Anderson know this? It's all rather odd. And also how come George just walks away from the climax scot-free? That, and also why the girl in the room who is from Ireland have a Birmingham accent...

But a haunting, touching and frightening film, although it's interesting that the film offers no sympathy to Tyson's character despite the fact that she clearly uses George because she by now only sees men as a means to an end.

Summary: Effective film which gets away with its major flaws.

[CSW] -4- Well done but see the second user comment (the one with spoilers) above to understand a few of the questions I also had. Still the acting was great.
[V3.0-A3.0] MPEG-4 AVC - No D-Box.

º º